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Participation: 80%-99%
Unique Accidentals: > 4
Unique Notes: ≤ 5
Unique Notes: 16 - 20
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Jamie Holdham
Haydn - Symphony 96. [Mvt.IV.] {Professional production full score.} Unfinished.
Jamie Holdham
1:17 Est. Play
Time
164 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 25 3 11 4 99%
Viola 18 1 6 3 91%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 25 3 11 4 99%
Viola 18 1 6 3 91%
Violino
II		 Treble 22 2 8 5 91%
Violoncello e
Contrabasso		 Bass 18 0 5 2 83%
Fagotti
1,
2		 Bass 17 4 3 3 48%
Oboi
1,
2		 Treble 17 11 7 3 39%
Flauti
1,
2		 Treble 17 3 3 3 30%
Tromba
1,
2 in
D		 Treble 3 1 0 2 6%
Timpani
in
D-A		 Bass 2 0 0 2 5%
Corno
1,
2 in
D		 Treble 2 1 0 1 4%
 
Beethoven - Symphony No.7. Mvt 1. {Professional production full score.} Unfinished.
Jamie Holdham
5:08 Est. Play
Time
160 Measures
2,134Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
II.		 Treble 32 11 12 7 95%
Violino
I.		 Treble 29 9 9 8 93%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
II.		 Treble 32 11 12 7 95%
Violino
I.		 Treble 29 9 9 8 93%
Oboi. Treble 18 31 5 8 92%
Viola. 24 26 8 7 91%
Fagotti. Bass 25 29 10 8 91%
Flauti. Treble 23 15 7 8 87%
Clarinetti
in
A.		 Treble 21 25 6 8 87%
Violoncello e
Basso.		 Bass 31 0 12 6 75%
Corni
in
A.		 Treble 14 14 1 8 67%
Basso. Bass 29 0 11 6 52%
Trombe
in
D.		 Treble 9 5 1 6 43%
Timpani
in
A.E.		 Bass 2 0 0 4 34%
 
Buxtehude - Prelude in G Major. {Professional production score.}
Jamie Holdham
3:26 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manuels Pedale Treble 20 2 5 10 89%
Bass 15 4 2 8 84%
Bass 20 0 4 5 68%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manuels Pedale Treble 20 2 5 10 89%
Bass 15 4 2 8 84%
Bass 20 0 4 5 68%
 
Wagner - Huldigungsmarsch. {Professional production full score.} Unfinished.
Jamie Holdham
0:58 Est. Play
Time
119 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
CLARINETTEN in
B.		 Treble 17 2 5 6 96%
2
OBOEN.		 Treble 15 1 5 6 96%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
CLARINETTEN in
B.		 Treble 17 2 5 6 96%
2
OBOEN.		 Treble 15 1 5 6 96%
2
VENTILHORNER in
Es.		 Treble 13 2 3 4 91%
2
VENTILHORNER in
F.		 Treble 16 2 5 6 91%
BRATSCHEN. 16 3 3 6 77%
Violoncelle. Bass 20 0 2 6 68%
2
grosse
Floten.		 Treble 14 2 3 5 61%
2
FAGOTTE.		 Bass 20 10 6 4 57%
BASSCLARINETTE in
B.		 Bass 14 0 3 4 55%
Contrabasse. Bass 12 0 1 3 55%
Zweite
Violinen.		 Treble 14 3 3 8 55%
Erste
Violinen.		 Treble 19 2 4 7 45%
1te
u:
2te VENTILTROMPETE in
F.		 Treble 4 2 0 2 27%
2
TENORPOSAUNEN.		 4 2 0 2 27%
3te VENTILTROMPETE. Treble 1 0 0 2 27%
BASSPOSAUNE. Bass 1 0 0 2 27%
Tuba. Bass 2 0 0 2 27%
 
Buxtehude - Var.XII: La Capricciosa. {Professional production score.}
Jamie Holdham
0:38 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 1 6 5 100%
Bass 20 0 6 6 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 1 6 5 100%
Bass 20 0 6 6 88%
 
Wagner - Die Miestersinger Von Nurenberg Overture to Akt 1. [Professional production full score.]
Jamie Holdham
1:24 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2.
VIOLINEN.		 Treble 20 15 6 4 100%
BRATSCHEN. 23 18 6 7 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2.
VIOLINEN.		 Treble 20 15 6 4 100%
BRATSCHEN. 23 18 6 7 100%
Violoncelle. Bass 25 2 8 7 100%
2
FAGOTTE.		 29 15 10 6 98%
1.
VIOLINEN.		 Treble 22 12 4 5 96%
4
HORNER
in
F.		 Treble 17 0 5 6 96%
Contrabasse. Bass 19 0 6 6 96%
Horn
in
F		 Treble 14 0 4 6 88%
3
POSAUNEN.		 13 0 4 6 82%
2
HOBOEN.		 Treble 17 0 5 4 82%
BASS-TUBA. Bass 23 0 5 6 79%
2
CLARINETTEN. in
B.		 Treble 15 0 4 4 77%
1
und
2
(F). 3
TROMPETTEN. 3
(C).		 Treble 12 2 1 6 77%
Bass
Trombone		 Bass 14 0 2 6 68%
PAUKEN
(C
u.G).		 Bass 2 0 0 2 29%
2
GROSSE
FLOTEN.		 Treble 7 0 1 2 25%
C
Trumpet		 Treble 5 0 0 4 25%
 
Buxtehude - Praeludium in E Minor. {Professional production full score.} Unfinished.
Jamie Holdham
3:00 Est. Play
Time
146 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 24 6 7 8 94%
Bass 18 2 5 8 82%
Bass 17 0 5 7 82%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 24 6 7 8 94%
Bass 18 2 5 8 82%
Bass 17 0 5 7 82%
 
J.J.Froberger - Lamento Ferdinand III. {Professional production score.} Unfinished.
Jamie Holdham
1:07 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 4 5 6 83%
Bass 17 1 5 6 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 4 5 6 83%
Bass 17 1 5 6 88%
 
*RULE BRITANNIA*.*Richard Wagner*.*RULE BRITANNIA.* [Unfinished.]
Jamie Holdham
0:39 Est. Play
Time
86 Measures
1,267Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I,
II. Corni
in
D. III,IV.		 Treble 12 14 2 8 100%
Horn
in
D		 Treble 13 18 2 6 100%
View all 20 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I,
II. Corni
in
D. III,IV.		 Treble 12 14 2 8 100%
Horn
in
D		 Treble 13 18 2 6 100%
Trombe
vent.
in
D.		 Treble 14 17 2 7 100%
Trombe
ord.
in
D.		 Treble 8 7 0 6 95%
Flauti. Treble 14 15 2 10 94%
Fagotti. 25 8 7 9 94%
Basso. Bass 16 0 6 8 92%
Clarinetto
in
F.		 Treble 16 0 1 10 92%
Viola. 21 11 5 6 92%
Violino
I.		 Treble 20 5 4 10 92%
Violino
II.		 Treble 21 19 3 10 92%
Violoncello. Bass 21 1 6 8 92%
Clarinetti
in
C.		 Treble 12 17 2 9 88%
Oboi. Treble 14 18 3 9 88%
Trombone
Alto e
Tenore.		 9 9 1 7 86%
Contra
Fagotto.		 Bass 13 0 5 7 85%
Ophicleide. Bass 16 0 5 7 85%
Timpani
in
D,A.		 Bass 2 0 0 9 85%
Trombone
basso.		 Bass 13 0 5 7 85%
Flauti
piccoloi.		 Treble 17 17 2 9 84%
 
Beethoven - Symphony No. 7. Mvt. 1. {Unfinished.}
Jamie Holdham
2:40 Est. Play
Time
98 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
II.		 Treble 32 9 12 5 98%
Viola. 21 24 6 5 98%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
II.		 Treble 32 9 12 5 98%
Viola. 21 24 6 5 98%
Fagotti. Bass 22 18 8 6 95%
Oboi. Treble 17 16 5 6 94%
Violino
I.		 Treble 26 8 7 5 91%
Clarinetti
in
A.		 Treble 19 15 5 6 89%
Violoncello e
Basso.		 Bass 31 0 12 4 80%
Flauti. Treble 22 6 6 5 75%
Corni
in
A.		 Treble 7 3 1 4 66%
Trombe
in
D.		 Treble 9 5 1 3 58%
Timpani
in
A.E.		 Bass 2 0 0 1 45%
Basso. Bass 29 0 11 4 30%
 
Wagner - Siegfried Akt 2: Siegfried vs Fafner in Full score.
Jamie Holdham
1:38 Est. Play
Time
48 Measures
1,629Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
3
Fagotti.		 Bass 25 12 13 5 94%
Bass
Trombone		 Bass 26 0 14 5 94%
View all 30 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
3
Fagotti.		 Bass 25 12 13 5 94%
Bass
Trombone		 Bass 26 0 14 5 94%
Bass-Tuba.
(in
C.)		 Bass 19 0 9 5 94%
Contrabasse
Posaunen.		 Bass 24 0 13 5 94%
Contrabasse
Tuben.		 Bass 26 0 13 5 94%
Bassclarinetten. Bass 18 0 7 5 88%
BRATSCHEN. 24 14 9 5 85%
Violoncelle. Bass 31 5 14 6 83%
Contrabasse. Bass 22 3 10 7 81%
I. Violinen. II. Treble 27 4 11 6 75%
Bass-Tuba.
(in
B.)		 Bass 28 0 12 4 75%
Violins Treble 27 4 11 6 75%
Horner.
(in
F.)		 Treble 16 2 5 5 70%
Horn
in
F		 Treble 15 2 5 5 70%
F
Trumpet		 Treble 2 0 1 4 13%
Treble 12 0 1 6 65%
Tenor-Tuba.
(in
Es.)		 Treble 21 1 9 4 63%
Clarinetten.
(in
Bb.)		 Treble 13 4 5 5 61%
B♭
Clarinet		 Treble 27 3 11 5 57%
(2
Tenor.) 3
Posaunen. (1
Basse.)		 14 0 4 6 54%
Tenor
Trombone		 15 0 4 6 54%
3
Hoboen.		 Treble 13 6 4 5 54%
2
Trompetten.
(in
F.)		 Treble 14 1 2 5 52%
Oboe Treble 16 4 6 5 51%
Englishes
Horner.		 Treble 16 0 6 5 50%
Bass
Trompeten.
(in
D.)		 Treble 9 0 3 6 38%
Flute Treble 4 2 2 3 24%
3
Floten.		 Treble 6 0 2 4 19%
Timpani Bass 3 0 1 4 15%
2
Pauken.		 Bass 3 0 1 4 10%